b. 1984, London
Lives and works in Athens, Greece
Yale School of Art: MFA, Painting, 2011
Central St Martin’s College of Art and Design: BA hons, 2007
Camberwell College of Art and Design: Foundation Diploma, 2004
HIGH NOON, Hunter/Whitfield, London 2017
Exterior. (Morning.), UNIT9, London 2017
Nocturne, Lord Ludd, Philadelphia 2016
Residuals, curated by Chris Sharp, Instituto Inclusartiz, Rio de Janeiro 2016
Dawn, Hunter/Whitfield, London 2015
Pictures, Sushi Bar Gallery, New York 2014
Bespoke Solutions, Hannah Barry Gallery, London 2012
Creative Operational Solutions, Para Site, Hong Kong 2016
The National or The Skip, The Averard Hotel (Slate Projects), London 2016
Demimonde, Amberwood House (Slate Projects), London 2015
Screen Space, The Pickle Factory (Slate Projects), London 2014.
Tokyo in the Fall, Gerald Moore Gallery, London 2014.
Points of Contact, No Format Gallery, London 2014.
Instituto Inclusartiz, Rio de Janeiro, March-April 2016.
Container Artist Residency 01, travelling from Athens to New York by container ship, May 2016.
S P Arte, Sao Paolo 2016; Art BO, Bogota 2015; The London Art Fair, London 2015; Art Rio, Rio De Janeiro 2014; START @ Saatchi Gallery, London 2014; Art ‘14, London 2014; London Art Fair, London 2014.
'Residuals', with text by Chris Sharp, published by LAMB, 2016
'HOME', published by LAMB, 2014
'Screen Space' published by Slate Projects, 2014
'Points of Contact' published by the curators, 2014
"NIGHT" by Orlando Reade, 2016
"Residuals" by Chris Sharp, 2016
"The Hospitality of Ambivalence" by Orlando Reade, 2015
"The Fraud of Prepositions" by Jeffrey Stuker, 2014
"Fragment on Pictures" by Orlando Reade, 2014
"A Review of Exterior. (Morning.) by Christopher Page at UNIT9, London" by Lara Monro for Arteviste, April 2017
"Stowaway artists turn life on the ocean into art", CNN Style, February 2017
"Artist Residency Program Takes to the High Seas" by Gareth Harris, The Art Newspaper, February 2016
"Review of Christopher Page: 'Dawn' at Hunter / Whitfield" by Jack Castle, Aesthetica Magazine, June 2015
"Painting as Critique" by Alex Meurice, AMBIT Magazine, Issue 219, 2015
"The Hospitality of Ambivalence" by Orlando Reade, The Capilano Review, 2015
"Screen Space" by Jonathan Openshaw 2014, POSTmatter.com, 2014